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chamber

by natalie draper

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Décor (Albert Giraud) Les grands oiseaux de pourpre et d’or, Ces voletantes pierreries, Breughel les pose, en ses féeries, Sur les arbres bleus du décor. Ils vibrent, et leur large essor Jette une ombre au ras des prairies, Les grands oiseaux de pourpre et d’or, Ces voletantes pierreries. Le soleil perce avec effort, De ses jaunes orfévreries, L’azur vert des branches fleuries, Et sa lumière avive encore Les grands oiseaux de pourpre et d’or. Décor (roughly translated into English by the composer) The large purple and golden birds, These fluttering gems, Captured by Breughel in his paintings, In a setting of blue trees. They vibrate and their wide flight Casts a shadow on the meadows, The large purple and golden birds, These fluttering gems. The sun penetrates with force, With its yellow riches, Through the green-blue of flowering branches, And its light further animates The large purple and golden birds.
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Les Nuages (Albert Giraud) Comme de splendides nageoires De célestes poissons changeants Les nuages ont des argents Des ors, des nacres, des ivoires. Ils s’irisent devant les gloires Mourantes des soleils plongeants, Comme de splendides nageoires De célestes poissons changeants Mais la Nuit, sur ses barques noires, Lance des pêcheurs affligeants, Qui dans leurs filets émergeants Prennent les ondoyantes moires, Comme de splendides nageoires. Clouds (Roughly translated by the composer) Like splendid fins Of celestial, iridescent fish The clouds are full of silvers, Of golds, pearls, ivories. They glimmer against the dying glories Of setting suns Like splendid fins Of celestial, iridescent fish But Night, in its black boats, Launches rabid fishermen, Who, in their emerging nets, Take in rippling reflections, Like splendid fins.
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Coucher de Soleil (Albert Giraud) Le soleil s’est ouvert les veines Sur un lit de nuages roux: Son sang, par la bouche des trous, S’éjacule en rouges fontaines. Les rameaux convulsifs des chênes Flagellent les horizons fous: Le soleil s’est ouvert les veines Sur un lit de nuages roux. Comme, après les hontes romaines, Un débauché, plein de dégoûts, Laissant, jusqu’aux sales égouts, Saigner ses artères malsaines, Le soleil s’est ouvert les veines! Sunset (Roughly translated by the composer) The sun has opened its veins On a bed of rust-colored clouds: His blood, through the wounds, Spurts in red fountains. The convulsing branches of oaks Whip against the mad horizons The sun has opened its veins On a bed of rust-colored clouds. Just like after the Roman orgies, A debauched man, full of self-loathing, Letting his sickened arteries Bleed into the filthy gutter, The sun has opened its veins!
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He was often stern, He was often hard, He was always difficult, But we loved him. He was rarely home, He was rarely pleased, He was never simply proud, But he loved us. Remember his pipe? His slippers, his frown? His newspapers stacked on the table? Remember his laugh? The spark in his eyes? His smile when you'd finally done something right? He was often stern, He was rarely pleased, He was always difficult, But we loved him. May he rest in peace.
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"You Are Happy" (Margaret Atwood) The water turns a long way down over the raw stone, ice crusts around it We walk separately along the hill to the open beach, unused picnic tables, wind shoving the brown waves, erosion, gravel rasping on gravel. In the ditch a deer carcass, no head. Bird running across the glaring road against the low pink sun. When you are this cold you can think about nothing but the cold, the images hitting into your eyes like needles, crystals, you are happy.
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credits

released May 31, 2011

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natalie draper Washington D.C., D.C.

Natalie received her undergraduate degree in music from Carleton College in Northfield, Minnesota and her master’s degree in composition from University of Cincinnati’s College-Conservatory of Music (CCM) in Cincinnati, Ohio. Natalie is currently pursuing her DMA degree at the Peabody Institute of Johns Hopkins University in Baltimore, Maryland. She is affiliated with ASCAP. ... more

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